So you route the sounds to different tracks (if the plug-in supports this). When it comes to mixing, you might prefer each sound to come up on a different audio track, so you can treat each one separately. But when you’re arranging, you might want separate MIDI tracks for some sounds, so you create extra MIDI tracks and route them to the drum machine. The simplest is to put your drum machine or sampler plug-in on a track, then record MIDI clips on that track. If you’re programming drum patterns by sequencing MIDI, as opposed to using an instrument with a built-in step sequencer, you can take several different approaches. Before we get stuck into what it does, let’s have a look at the working process it aims to improve. This takes the idea of Instrument Racks and adds some really useful drum-specific twists. The headline feature in Live 7 is the new Drum Rack. In a similar vein, the Operator, Saturator and Dynamic Tube devices have gained a Hi-Quality mode, which reduces aliasing, presumably by increasing internal sample rates. While most processing remains at a perfectly respectable (and less CPU-intensive) 32-bit, the EQ8 equaliser now has a double-precision (64-bit) mode, increasing quality and presumably increasing internal headroom to astronomical levels. On the audio side, the mixer now features 64-bit summing, which eliminates rounding errors when combining signals. There are some intriguing results showing the wide difference in timing accuracy between a selection of MIDI interfaces now we just need someone to leak out what those interfaces were!
Rather than being technical white papers, the fact sheets are more like ‘best practice’ guides for those seeking neutral signal paths and rock-solid MIDI timing. Both the audio and MIDI ‘engines’ have been subjected to thorough testing and tweaking, partly documented in two ‘fact sheets’ published by Ableton. This is an admirable move, as the temptation is always to prioritise shiny, new, marketing-friendly features.
Part of the development for this version has been dedicated to revisiting Live’s foundational technology.
#Ableton live developers plus#
Enter Live 7, with a whole new framework for working with drums, and the new Ableton Suite, featuring a host of new synths, plus electronic and acoustic drums. In our generally enthusiastic review of Live 6, we suggested that the most significant weak spot was its paucity of instruments and drum kits.
#Ableton live developers upgrade#
The last major Live upgrade still feels warm from the oven, and another one is here.
The Session Drums library included in the new Ableton Suite includes several multi-miked drum kits for the Drum Rack.Software develops at such a pace nowadays that buying a music package can feel like making a down-payment on an annual subscription. Live 7 gains an ingenious new way of working with drums, and an optional library packed with new instruments. The hyperactive developers at Ableton have been at it again.
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